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PULP@CISHK

Ceremics Collection

​陶

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Ceramics were one of the greatest inventions the Chinese civilization has provided for the world. The English word “China” for ceramics has become the country’s name. In the 16th century BC, China had already produced the first ceramics amid the Shang Dynasty. Chinese porcelain and chinaware[1]  pottery evolved from ceramics. There are two types of pottery ware: ceramic and porcelain. Usually, greenware that has not been heated compactly is called “ceramics”. Amongst them, greenware that has been fired at higher temperatures is called earthenware, then glazed ones are “glazed ceramics”. Those fired at more extreme temperatures, with denser sintering results, are called “porcelain”. Wares[2]  include jars and bowls. White glazed porcelain first appeared during the Northern and Southern dynasties and became fully developed in the Sui dynasty.

As productive forces improved, ceramic craftsmanship was enhanced and innovated, forming artistry and techniques that were typical to different eras. For example, Sancai glazed ceramics[1]  symbolize the prosperity of the Sui and Tang dynasties. In the Song dynasty, the golden age of Chinese ceramics emerged with many famous ceramic wares. In the Ming dynasty, this went back to simple white porcelain, adding practical value to the otherwise decorative chinas. During the high Qing era, under the reign of the Kangxi, Yongzheng, and Qianlong Emperors, China’s porcelain techniques went to its finest, with greater improvements and innovations. The Jilin Manchu Museum has over 60 pottery collections, this book introduces those of the Qing dynasty and Republic era, with different styles and purposes, including bowls, plates, wine vessels, jars, and more.

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Famille Rose Dragon and
Phoenix Floral-rim Bowl

The bowl has an open mouth, a shallow body, and a low, circular foot. The rim is decorated with a gold-painted floral pattern. The exterior of the inward-curving bowl is adorned with a pattern of dragon and phoenixes, cloud clusters, flaming pearls, flames, and sea waves. The base features a "Da Qing Guangxu Nian Zhi" (Made in the Guangxu period of the Qing Dynasty) six-character mark.

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Famille Rose Dragon and Phoenix Floral-rim Bowl, Qing dynasty, diameter 17.9 cm, foot diameter 6.6 cm, height 6.2 cm.​

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Famille verte “Double Dragons Playing with a Pearl” High-footed Bowl

This high-footed bowl has a wide opening with an arc-shaped wall, a deep body and a hollow high foot. The interior and exterior are covered in white glaze. The outer rim is decorated with a circular scroll pattern and the outer wall is adorned, in the Famille Verte style, with an image of two dragons playing with a pearl and cloud motifs. Near the base, the foot is decorated with sea wave patterns. The base bears the "Da Qing Guangxu Nian Zhi" (Made in the Guangxu period of the Qing Dynasty) six-character mark. This piece is beautifully shaped, with finely detailed decoration. In traditional Chinese culture, dragons are considered auspicious, spiritual, and divine creatures, symbolizing the emperor and imperial power.

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Famille Verte “Double Dragons Playing with a Pearl” High-footed Bowl, Qing Dynasty, diameter 14 cm, bottom diameter 6 cm, height 9.6 cm.

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This large bowl has a slightly inward-curving rim, decorated with double blue lines on both the inner and outer edges. The exterior of the bowl features a blue-and-white design of the Eight Immortals. The interior of the bowl is adorned with a double-ringed pattern, decorated with bats and longevity motifs. The color is vibrant, and the glaze is smooth and lustrous.

The Eight Immortals, as depicted in the design, are legendary figures in Chinese mythology: Iron Crutch Li, Han Zhongli, Lan Caihe, Zhang Guolao, He Xiangu, Lü Dongbin, Han Xiangzi, and Cao Guojiu.

 

(Lü Dongbin of The Eight Immortals, Iron Crutch Li of The Eight Immortals, Cao Guojiu of The Eight Immortals, Han Xiangzi of The Eight Immortals, He Xiangu of The Eight Immortals, Zhang Guolao of The Eight Immortals, Lan Caihe of The Eight Immortals, Han Zhongli of The Eight Immortals.)

Blue and White “Eight Immortals” Pattern Bowl, Qing dynasty, diameter 19.2 cm, foot diameter 7.8 cm, height 7.75 cm.

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This bowl has a unique shape, flat rim, straight mouth, narrowing inward. The exterior of the bowl is covered with blue and white glaze. The interior of the bowl is painted with blue and white fish, wave patterns, the rim of the bowl is decorated with a band of lotus petal patterns, carrying a symbolic meaning of 'fish playing in the lotus’. Circular foot, unglazed on the inside.

Porcelain fish pattern bowl, Qing Dynasty, diameter 15.7cm, foot diameter 6.5cm, height 5.4cm.

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Round mouth, deep body, short ring foot. The rim of the bowl is decorated with a band of blue and white hexagonal patterns, the exterior of the bowl is painted with blue and white fortune and Longevity character patterns, as well as bat and coin motifs.

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The wine cups are a pair, round mouth, deep body, short and sturdy foot, the exterior is decorated with pastels, featuring peaches and floral patterns, along with the characters '富贵' (wealth and honor), which carry the symbolic meaning of prosperity and longevity.

Fortune and Longevity Pattern Porcelain (Tea) Bow, Republic of China period, diameter 7.8cm, foot diameter 3.4cm, height 5.5 cm.

Pastel Prosperity Peach Pattern Wine Glass (cup), Republic of China period, diameter 4.6cm, bottom diameter 2.1cm, height 3cm.

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The wine cup has a round mouth, deep body, and short ring foot. The exterior is decorated with pastels, featuring patterns of Buddha's hand citron, pomegranate, and the double happiness characters. Buddha's hand movement symbolizes blessings, while the pomegranate subtly signifies fertility. This wine cup carries the symbolic meaning of double happiness and abundant blessings.

Pastel Buddha's Hand Citron and Pomegranate Double Happiness Pattern Wine Glass (Cup), Republic of China period, diameter 4.8cm, bottom diameter 2.1cm, height 3.1cm.

The Republic of China period (1912-1949), rim diameter 4.5 cm, base diameter 2 cm, height 2.8 cm.

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The Republic of China period (1912-1949), rim diameter 4.8 cm, base diameter 2.1 cm, height 3.1 cm.

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The Republic of China period (1912-1949), rim diameter 6 cm, foot diameter 2.9 cm, height 2.2 cm.

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Ice Crackle Four Seasons Porcelain Plate

The plate has an open rim, foot ring, and unglazed base. It consists of four plates representing the seasons, all with an ice crackle pattern. Each inner rim features blue and white double line patterns, and the center displays the characters "Spring," "Summer," "Autumn," and "Winter." Each plate includes a line from Wang Zhu's poem: "In spring, we stroll in fragrant grasslands; in summer, we admire the green lotus pond; in autumn, we drink yellow flower wine; in winter, we recite poetry in white snow."

"Ice crackle," also known as "cracked glaze" or "crackled porcelain," is a type of ancient Longquan celadon from the Ge kiln, characterized by its unique cracking during the firing process, showcasing boundless natural beauty. Cracking was originally considered a flaw in porcelain production, but when mastered, it became a special decorative feature known as crackle glaze. The patterns resemble ice fractures, layered with a three-dimensional beauty. They can be categorized by color, such as eel blood, golden silk iron wire, and pale yellow fish roe patterns, or by shape, such as net patterns, plum blossom patterns, and fine fragmented patterns.

Ice crackled four seasons porcelain plate, The Republic of China period (1912-1949), rim diameter 8.5 cm, foot diameter 4 cm, height 3 cm.

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Ice Crackle Four Seasons Porcelain Plate

Boat-shaped plate, an open rim, a folded belly, and a solid foot. The rim is gilded, and the interior features a floral leaf pattern, while the outer wall is decorated with blue and white leaf motifs. The foot bears the character "Ji."

This plate has a unique shape, with a blue floral design complemented by gilded leaves, and is accented with red flowers in pastel colors, creating a distinct layered appearance.

Blue and white floral leaf pattern porcelain plate, The Republic of China period (1912-1949), length 18.6 cm, width 12.6 cm, height 3.7 cm, foot diameter 7.2 cm.

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Double-Handled Plum-Glazed Flat Pot

Double-Handled Plum-Glazed Flat Pot, with flat round body with a straight neck and a small lip. There are two small loops on the shoulder for carrying with a string. It has a flat ring foot entirely coated with plum glaze. One side of the pot is engraved with orchid patterns, while the other side features peony patterns. The flat round shape and clever design of the double loops make it both practical and easy to carry.

Double-Handled Plum-Glazed Flat Pot, Qing Dynasty (1644–1911), Diameter 8.9cm, Length 25.5cm, Height 29.9cm.

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Chrysanthemum-Glazed Lion-Mouth

Style Pouring Pot

Pot has a circular body with a ring foot and a non-opening lid. The lifting beam is carved with a phoenix, and the spout is in the shape of a lion and cub, appearing vivid and lifelike. The body is decorated with chrysanthemum patterns, giving it a strong three-dimensional feel. There is a five-petal plum blossom hole at the bottom.

 

The pouring pot, which originated in the Song (960-1279) and Liao periods (907-1125) and was popular during the Qing Dynasty (1644-1911), is a unique type of teapot. This pot is ingeniously designed, utilizing the principle of a connecting vessel. When pouring liquid, the pot is inverted to pour from the bottom hole. After pouring, it is set upright without dripping. Tipping the pot slightly allows the liquid to flow from the lion's mouth, hence the name "pouring pot." The unique structure and clever internal design of the pouring pot fully showcase the wisdom and creativity of ancient craftsmen, making it a marvel in Chinese ceramic art.

Chrysanthemum-Glazed Lion-Mouth Style Pouring Pot, Republic of China period (1912-1949), belly diameter 18.5cm, bottom diameter 9.2cm, height 19cm.


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Double-Hoop-Handle Package-tin

Nan Clay Teapot

The teapot is made of pottery and utilizes package-tin craftsmanship. It has a round belly, a ring foot, a round opening, a lid, and copper double-hoop handles. Both the lid and the bottom of the teapot are wrapped in tin sheets with circular square-hole coin patterns. The spout is decorated with tin bat patterns, symbolizing the auspicious meaning of "Good Fortune is Right Before Your Eyes."

Republic of China period (1912-1949), diameter 10.6cm, belly diameter 14.8cm, bottom diameter 9.5cm, height 10.2cm.

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